After Mireille Enos’ very convincing performance in the box office smash-hit World War Z, my on-again, off-again relationship with The Killing is back in full swing.
Although Enos’ role as Karin Lane, wife to U.N. globetrotter Gerry Lane (Brad Pitt), allots her little face time, her ability to steal the early scenes of the apocalypse is uncanny.
Much like her character Sarah Linden in The Killing, Karin appears to be a sheepish soccer mom of two, but she’s equipped with quite the roundhouse kick when the world falls to pieces.
The second season of the AMC crime drama is a continuation of season one’s Rosie Larson case, and the pieces are slowly, but surely, falling into place. Most critics wrote the show off in its second season, after becoming entranced with the surreal vibes from the first season. For this reason, there was a long hiatus to ultimately produced the show’s third season, currently airing Sunday nights on AMC – a nice liaison between the end of Mad Men and the beginning of Breaking Bad‘s final, eight episode stretch.
However, I like the “Big Brother” feeling that surrounds the second season of The Killing. By turning Linden against the police department and practically writing off Mitch Larson, the show is able to better delve into the Linden/Holder relationship and explore Sarah’s troubled past with Reggie and her various foster families.
The female detective is becoming an increasingly prominent role in television these days. From Claire Danes in Homeland to Elisabeth Moss in Top of the Lake to Sarah Paulson in American Horror Story: Asylum (shown above, left to right), these women all share a similar troubled past and an extreme work ethic, which leaves them almost void of emotion. However, I feel as though Enos most powerfully conveys her detachment from herself and her family as the Rosie Larsen case comes to consume her and her son’s life.
Funny enough, the three women above are likely to each take home an Emmy in their respective categories – Danes for Actress in a Drama Series, Moss for Actress in a Movie or Mini-Series, and Paulson for Supporting Actress in a Movie or Mini-Series. Poor Enos. Maybe the writers should make Sarah develop a psychiatric disorder to get the voters’ attention!