Yesterday, G4 played a marathon of the first six Lost episodes. Needless to say, I was occupied for those six hours, reliving the show that thrilled audiences like no other during its run from 2004 to 2010.
Regardless of whether you liked the ending (or the time-travel twists starting in Season 4) or not, there is something to be said about the show’s beautiful cinematography and lurid characters. Each of them provides an interesting vantage point on their past lives and on the moment of the plane’s fated crash.
Many shows and films in the post-9/11 world became very sensitive to race and religion, but Lost tackled the cultural barriers head on. From Sawyer accusing Sayid of being a terrorist to Jin commanding Sun to cover up in the presence of the other survivors – particularly Michael, a black man. (Also, I love the scene in Season 2 when Rose is reunited with Bernard and everyone is shocked that he’s an old, white guy).
The series also reinvented the “musical montage,” as the most powerful moments of the show were free of dialogue and acted brilliantly by the characters’ movements and facial expressions. In the show’s third episode, “Tabula Rasa,” the castaways finally take a breather after a few days of panic and chaos following the crash as Hurley listens to “Wash Away” by Joe Purdy on his walkman. Another great montage opens Season 2 and follows a mysterious man, who we learn to be Desmond, as he works out to the musical stylings of Mama Cass’ “Make Your Own Kind of Music.” The last notable montage opens the third season, and again it follows a mysterious character, who we learn to be Juliet, as she prepares for her book club while listening to Petula Clare’s “Downtown.”
Again, I don’t care if you liked the ending or not (I personally loved it), but there is no denying that the Seasons 1-3 are some of the greatest achievements in television. Period. If you’ve yet to witness this amazing show, be sure to check out all six seasons on Netflix or the occasional G4 marathons!