In Eli Stone, the title character, played brilliantly by Jonny Lee Miller, is a San Francisco lawyer who develops a brain aneurysm, which gives him visions of God, who speaks through the one and only George Michael. Like an adult version of That’s So Raven, Eli’s visions act as his moral compass in working his various cases.
Eli confides in his acupuncturist Dr. Chen (James Saito), who is able to facilitate Eli’s darkest memories – particularly those of his abusive father.
His once secure job under supervision of his fiancé’s father becomes compromised when the couple calls off their marriage. The tension in the office only grows with Eli’s newfound gift.
The show is in the ever-evolving comedy-drama genre, with quirky musical/fantasy sequences to the tune of George Michael songs, making Eli Stone one of a kind. The cast is supported by veteran film actors Loretta Devine (Crash) and Victor Garber (Titanic), which gives the show’s side stories real depth, without ever lagging.
In the final moments of the second season (right before it’s cancellation) Eli’s nose begins to bleed a dark red, hinting that his aneurysm had ruptured, but did God have other plans for him? Did the writers? All I know is that ABC, for sure, killed him off too soon.
Riding off the coattails of Lost (and borrowing some of its actors, too) comes the second show gone too soon: FlashForward. The show follows the FBI investigation of a worldwide human blackout, which gives people a brief vision six months into the future. While many try to make their lives fit the ominous prediction, others strive to change their fate. But those who see nothing, like Agent Mark Benford, played by Joseph Fiennes (American Horror Story: Asylum), worry that they will meet their demise before the fated day.
The investigation gets heated when the FBI discovers footage of a hooded man walking out of a baseball stadium during the two minute and seven second blackout.
With Jack Davenport (Pirates of the Caribbean), Dominic Monaghan (Lost), and Sonya Walger (Lost), the show surely should have lasted for a second season.
Like Eli Stone’s ambiguous cliffhanger, FlashForward ends with the world blacking out yet again. The vision we see is that of the Agent Benford’s daughter, Charlie, who receives a phone call saying that “he” has been found. The “he”? Possibly her presumed-dead father. And possibly not.
While the first two shows actually received some buzz in their short-lived runs, NBC’s summer flop Persons Unknown was kind of my guilty pleasure show, full of countless plot holes and terrible acting. Regardless, I would have liked to see it renewed for another summer slot.
The show follows a group of strangers who wake up in a ghost town with no communication to the outside world. They receive a series of tasks from the many monitors planted across the town. Soon, the castaways become restless and a mole is revealed.
After the strangers unite and rebel against the system, they are all placed in a new setting, called Stage Two. The show closes on the castaways opening the door of their new hotel to discover they are now on a freighter in the middle of the ocean. I want to watch Stage Two, please.