Summer Lovin’

As the title of this post suggests, I have found love this summer. A newfound love of summer television. And I’m not just talking about summer’s #1 show – America’s Got Talent (which I non-ironically watch and non-ironically tweet about).

This summer has been a gem for television, between Netflix’s Orange is the New Black and HBO’s The Leftovers, AMC’s Halt and Catch Fire and FX’s TyrantFox’s 24: Live Another Day and the highly anticipated Netflix revival of The Killing, love is in the air(waves). Puns.

My hope is to blog about these shows before the summer is over, but, alas, my 9-5 internship can kind of put a damper on my blogging spirit, as it is so much easier to binge my DVR than it is to pause and reflect on each individual episode.

Side thought: Merritt Wever in the Nurse Jackie finale was amazing. Pulling for her to take home a second Emmy.

Side thought to the side thought: Emmy nominations will be announced on Thursday. I will surely post my thoughts on my reaction and picks for the awards (which will be held on a Monday in August because NBC doesn’t respect television…if the Oscars were held on a Monday in March, the world would go apeshit).

Be blogging soon,

Rob

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A Little Song & Dance: MAD MEN Mid-Season Finale

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I apologize to my readers who haven’t had any posts to read over the past few months, but I’m back with a take on last night’s Mad Men mid-season finale.

The episode, entitled “Waterloo” brings us full circle with Peggy’s decision to give up her child in the first season, as she shows remorse when her neighbor/quasi-son Julio hugs her goodbye and she gives a rousing presentation to Burger Chef about families from a mother’s point of view.

Then, Bert’s death makes Don realize two things. First, that he is to Peggy as Bert was to Roger: a mentor. Second, that “the best things in life are free.” Sure the moon landing cost $35 billion (according to the Francis-Draper houseguest that Sally didn’t get with), but the feeling of togetherness that the historic moment brought to the country and its families was priceless. Everyone was watching the moon landing with their families (even Roger and Mona), but Don was alone in his hotel room calling his family from half-way across the country.

Bert’s post-mortem song and dance at the end of the episode reemphasizes how Don is spiraling into insanity and falling further from the facade he has held up all these years as Don Draper. Maybe it’s time for Dick Whitman to come back?

Now, let’s look further at what’s to come from the final episodes next Spring. Don ended things with Megan last night (or the other way around), which I believe will set us up for a tragedy next season. With his new wisdom from the ghost of Bert Cooper, I think that Don will fly to Los Angeles to surprise Megan, only to find her victim to the violently brutal Charles Manson killing spree (the signs have been adding up for multiple seasons at this point). And with Betty fighting with her new husband, maybe Don will go crawling back to his family – it’ll be like Bobby’s summer camp all over again.

Let’s not rule out big changes to the show’s other leading protagonist, Peggy. She’s sacrificed everything a woman should have for the times – a husband, children, a home. The show can go two directions. Either praise her for her independence, or lay on the societal pressures to make her leap from the windows of Sterling Cooper & Partners – a homage to the “Falling Man” from the show’s title sequence.

The first half of the season started slow, but ended with some nice, original Mad Men vibes. Let’s hope Weiner and Co. keep up the good work for the last seven episodes, slated to air Spring 2015.

 

HOUSE OF CARDS : Binge 2

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Francis Underwood makes Don Draper look like a loyal husband, Nicholas Brody a valiant marine, and Walter White an innocent schoolteacher. Claire Underwood makes Carrie Mathison look sane, Sister Jude kind, and Cercei Lannister just. House of Cards Season Two has raised the bar for television without ever being broadcasted on the seemingly outdated technology.

In this modern retelling of Shakespeare’s Macbeth, Francis Underwood, the majority whip in the House of Representatives, works with his wife to toy with the other members of government and the media to advance his political career. In Season Two, Underwood is named Vice President of the United States, a leap closer to his endgame: the Oval Office. However, with a team of budding journalists on his tail for the murder of Pennsylvania Governor candidate Peter Russo, Underwood takes, well, swift actions to wipe his slate clean.

Meanwhile, Claire Underwood, who last season built up her Clean Water Initiative to an international scale, drops the project to pursue a personal vendetta. During a CNN exclusive interview, she announces that a recently pinned general raped her in college, which leads her to push a bill for civilian oversight through the House. Her biggest obstacle? A female war veteran by the name of Jackie Sharp. Jackie is named majority whip when Francis advances to act as the Veep, but her fickle, backstabbing ways shine when she goes against Claire’s bill.

Over in civilian territory, Peter Russo’s ex-prostitute Rachel Posner is attempting to start life anew, but Underwood’s chief of staff, Doug Stamper, has developed an obsession with her. As Rachel enters into a relationship with Lisa, her friend from the church fellowship, Doug’s jealously boils and drives the two apart.

The biggest, non-death related surprise from this season involves Francis, Claire, and their Secret Service Agent Meechum, in a three-way-to-end-all-three-ways.

By the end of the season, Francis and Claire have maneuvered their way into the very office they have longed for: the Oval Office. With a swift “knock, knock” we close the season – which only took me about five days to complete. But they were a good five days.

Assuming Netflix follows the same pattern of releasing each House of Cards season in February, we’ll have to wait a full year to see what’s next for the Underwoods. Will their fate mirror the Macbeths? If so, yikes.

The Liebster Award

Hello fellow television enthusiasts!

I am pleased to announce that I have been nominated for The Liebster Award! Kind of like the Academy of Television Arts and Sciences, The Flim Culb has awarded me this cool sticker to put on my blog. So that’s cool, right?!

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WordPress dictates that I must now nominate 11 more blogs for this shining achievement, so here they are in no particular order:

My Kind of Movie

In the Name of Li’l Sebastian

Pass the Remote

The Film Lad

My Life of Listing

Primetime Insider

Cinemadame

Watch How I Soar

Brunch for Every Meal

Films etc.

Kate Campbell

Now I get to answer some questions. This could be fun, right?

What are your favorite:

1. Character (could be in film, literature, theatre, real life…. anything you like)
Right now, Claire Underwood from House of Cards is my favorite character, but Ben Linus from Lost is a close second.

2. Meal
A TV Dinner. Get it? Funny.

3. Sport (to play or simply watch)
I’ve been watching a lot of the Olympics recently, and there’s something oddly thrilling about women’s cross country skiing…

4. Memory
Watching Lost with the fam every Wednesday night…then Thursday nights…the Tuesdays…then Sunday. They never could hold down a time slot, could they?

5. Holiday (Christmas, Easter, Halloween… you know the rest)
My birthday because I’m allowed to say “I don’t like birthdays” and then people can leave me alone for a full 24-hour period. Can’t wait for the next one.

6. Quote
“NOT PENNYS BOAT”

7. Song 
I like the concept of the song “Ironic” by Alanis Morissette

8. Place 
A nice park bench.

9. Item of Clothing
Why is this a question? I like all my clothing equally, no discrimination.

10. Animal
I used to really like foxes. By “used to” I mean when I was in elementary school. Now that memory has been ruined by “What Does the Fox Say?”

11. Website
I enjoy a good ole Buzzfeed quiz as much as the next guy.  

Just like those super fun Facebook notes that threatened your life if you failed to follow all the instructions (aka the things we all used to do in middle school), repost this on your blog and nominate 11 of your favorite bloggers for this award and have them answer the same crop of questions! If you don’t, the boogeyman will eat your family and frame you in front of a jury of your peers #justice.

I’m Back, But I Never Really Left

Hey gang,

Sorry I haven’t posted in awhile. I know you all must be worried about my well-being, so I’m here to tell you this: I’m OK. Well, sort of. In the past few weeks I’ve watched a few shows here and there and nothing has really wowed me. While the Sochi Olympics are providing some quality entertainment, my regular shows have been lagging a bit. The Walking Dead returned. It was blah. But it did make me want to eat some pudding – right, Carl?!?!? Girls has been blah. No one cares about Hannah moping around. I want season one back, Lena! 

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The one beacon of hope in these dark days arrived today. Netflix released Season 2 of House of Cards this morning, and I’m ashamed to admit that I’ve only seen the first episode, but wow. What a way to start the season off with a bang…or a shove, I guess. Francis Underwood went for his second kill in the season premiere, taking out budding reporter and quasi-mistress Zoe Barnes with a swift push into a train. Truly kicked off my Valentine’s Day with high hopes about the world! But, to be fair, Claire Underwood did remove the ash tray from the home – no more smoking for a Vice Presidential nominee. How loving. I’m looking forward to my binge this weekend, and I’ll be sure to keep you posted!

FLASHBACK: STUDIO 60 ON THE SUNSET STRIP

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During my screenwriting class last semester, our professor showed us the teaser to Aaron Sorkin’s pilot for Studio 60 on the Sunset Strip and I was in awe. First of all, they introduce us to flustered production assistant, scurrying around the studio moments before the broadcast of a fictional variety show – think SNL on the West Coast…and on Fridays…and on a fictional network, NBS. Anyways, this PA turns out to be none other than my favorite actress at the moment, Merritt Wever! But back in 2006, she didn’t have her Emmy.

Anyway, the show follows veteran comedy duo Matt Albie (Matthew Perry) and Danny Tripp (Bradley Whitford) as they are called back to the variety show that helped define their careers. Matt is somewhat hesitant to return to Studio 60 because his ex, Harriett Hayes (Sarah Paulson) is now the show’s star, alongside Simon Stiles (D.L. Hughley) and Tom Jeter (Nate Corddrey).

Studio 60 on the Sunset Strip

To complicate matters, NBS has just hired a new president, Jordan McDeere (Amanda Peet), an attractive, young, sensible woman who doesn’t have the social wits about her. Sound like another Aaron Sorkin character to you? Sloan Sabbith, anyone? And that’s not the only Sorkin staple he throws into this show. The power outage right before airtime? The same problem plagues The Newsroom staff before News Night with Will McAvoy. The show also executes Sorkin’s famous “walk and talk” scenes, as made famous in The West Wing.

The combination of writing in acting in this show is surprisingly succinct for an NBC drama, but the lack of ratings and the promising comedy 30 Rock kept Studio 60 from being renewed for a second season. In its one season, however, Sarah Paulson was nominated for a Golden Globe for Best Supporting Actress in a Drama, a well-deserved nod that put the show on the map too late in the game.

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If you’re interested in watching, you’ll have a tough time finding it online. I found the complete series at Newbury Comics for nine bucks – quite the bargain compared to my subsequent Chipotle lunch.