HOMELAND: “The Star”

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The time has come to say goodbye to the greatest magician in the game. In Homeland’s third season finale, Sargent Nicolas Brody finally met his demise – arcing full circle to serving his country one last time. But Carrie didn’t cry as much as I expected/hoped she would.

The episode, entitled “The Star,” picks up as Brody is stashing the dead body of Iranian dictator Akbari, an action that should place Javadi – Carrie and Saul’s ultimate pawn – in power. Brody reaches out to Carrie, who frantically escorts him to a safe house, where they await the arrival of an extraction team.

Back in the CIA headquarters, people are skeptical of Saul’s master plan and begin to toy with the idea of having Javadi capture Brody to gain his nation’s confidence. Bad news for Saul – the president approved this new plan and he’s sent packing with eleven hours left as commissioner.

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In a scene worthy of a Golden Globe nomination *ahem ahem* Carrie and Brody discuss their allegiances to their country, to themselves, and to each other, leading to the bombshell baby announcement. Right when we think these lovers will fly off in the Middle Eastern sunset, Javadi’s men come and take Brody prisoner, leaving Carrie alone with her feelings.

Soon, word is released that Brody stood before an Iranian military tribunal and was sentenced to death by hanging in the public square. With that in mind, us (the audience) thinks of a million and one different ways our hero can make it out unscathed. But that’s when it hits us – is Brody our hero? Has he ever been our hero? Or has he just been dragged along to test Carrie – tangling her allegiances to herself and to her nation. Once we understand these facts, it’s too late. Brody is being hoisted up on a noose by a crane, his body twitching as his lungs search for the air that just won’t go in. In his final moments, he sees Carrie climbing the fence, wailing his name, “Brody! Brody!.” She said she would be there, and she was.

In a sort of epilogue to the events of the first three seasons, we find a retired Saul vacationing in Greece with his now loving wife (I still don’t really get their relationship, but whatever). Carrie, now eight months pregnant, has been appointed to oversee operations in Istanbul. But she doesn’t want the baby. After a talk with her family, her father decides that he will take the child – who Carrie sees as both a burden and a painful reminder of the life she could never have with Brody.

At a commemorative ceremony honoring the brave men and women who lost their lives protecting the country they love, Carrie looks on with disgust, knowing that Brody has done more for this country than anyone would ever dare give him credit for. In a tearful final moment, she walks up to the wall of stars and discretely draws an additional star, honoring the man who opened Iran’s clenched fist and was betrayed by the CIA operatives who swore to protect him.

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While I understand Homeland is a money-making operation for Showtime, I really would have liked to see Carrie be executed alongside Brody. To be honest, I don’t think she has much left to live for. She has compromised so much about herself to be with Brody, that the epilogue didn’t really do her character justice. Another thing that has been irritating me about this season is the complete lack of jazz music, which was a staple theme throughout the first and second seasons. As trivial as it sounds, Carrie’s music taste truly defined her character from the start and played into her solitary lifestyle.

Also, where was the Brody clan in last night’s episode? Didn’t we need to see Dana’s reaction to her father’s death to make her season long drama worth sharing?! I think I am the only one on the face of the planet who appreciated Morgan Saylor’s portrayal of the disturbed teen who faced public scrutiny by her father’s actions. I’m glad to see reports that both her and Morena Baccarin will be returning for the fourth season, even if their roles are downsized. Part of what made Homeland so intriguing was the added aspect of the Brody’s home. Hurt hits on all fronts, people.

Here’s to Damian Lewis, who crafted such a compelling character that we despised, yet cared for; vehemently hated, now mourn for. Rest in peace, Sargent Nicolas Brody. A U.S. prisoner of war has turned. And now, he has fallen.

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Sunday Funday

As a college student, Sunday’s are just too busy to cram into 24 hours. And to make matters worse, the television industry loves to put all my favorite dramas on the same night – adding up to three hours  (four if I choose to watch Masters of Sex).

That being said, I can’t possibly devote three to four hours to television on the day when I do a week’s worth of work, so I have to spread them out – all while avoiding spoilers around every corner of every social media outlet. And the only thing worse than a spoiler is a false spoiler. Example? Someone Instagrammed a picture of a grieving Michonne holding baby Judith. My initial thought? They killed off Rick! Needless to say, I had an extensive and intensive panic attack during the first thirty minutes of Sunday night’s episode, until I learned that Michonne was just really emotional about babies and the flu. Tangent aside, let’s take a closer look at Sunday’s dramas.

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On The Walking Dead, a deadly flu is sweeping through the prison – but its not as deadly as the zombies it produces. Cell Block D has quite the night of feasting, to say the least. While the group focus its efforts on putting down the walkers within the walls of the prison, a herd amasses outside the western wall, and the wire fence begins to give. In a game time decision, Rick chooses to lure the walkers away from the prison fences with his precious pigs, sacrificing them with a slight slit of their hamstrings.

Meanwhile, Carol is continuing to be the most well-thought out, developed character on the show, worthy of “cool aunt” status. After losing her own daughter in season two, she has made it her agenda to teach the youngsters how to defends themselves.

In other news, the writers are poking fun at themselves by having Michonne poke fun at Carl for taking his stupid sheriff’s hat off.

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On Homeland, Carrie is released from the mental facility and we get one last glimpse from her supervisor Abby, who is arguably the greatest guest star Homeland has ever had. There’s a lot of CIA jargon thrown around that all boils down to Carrie collapsing into the arms of a weeping Saul. In a 24-inspired twist, we learn that the two pals have been working together all along to make Carrie a double agent for the Venezuelan-Iranian terrorism operation. More stuff happened with Dana, but none worth mentioning after I thought her story was supposed to be over after coming to terms with her mother.

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Across the pond, Downton Abbey is on its game. Trouble is brewing downstairs with the addition of the new Lady’s Maid, Baxter, who serves as a new con buddy for the low-lying Thomas. Meanwhile, Daisy is forced to help Alfred for his cooking exam – a feat that strains on her heart strings, knowing that she will be helping him leave. However, her efforts come to fruition when he fails the test at the London Ritz – a scene that’s masterfully shot – and he comes crawling back to her. Mr. Bates seeks answers from Anna, but goes straight to the gossip ringleader herself, Mrs. Hughes, who sets things straight and reunites the battered couple.

Upstairs, it’s all business. Mary learns that Lord Gillingham has proposed to another woman, and it a moment of solitude she cracks –knowing that he was her last chance at happiness in a world without Matthew. The world is ending for Edith because Michael hasn’t written to her in a week. Like, honestly Edith – no one cares about you. Meanwhile, Rose is being a bimbo and jumps at the thought of Robert’s birthday party, where something bad is bound to happen. Either Robert himself will drop dead or his elderly mother, Violet the Countess Dowager, will suffer a heart attack during a loving toast to her son and the estate. While Dame Maggie Smith is truly the corner stone of this period drama and makes us laugh week after week, it is pivotal that we see a member of the old generation finally bid farewell, as the youths have suffered so much in this time – starting with Downton’s heir dying on the Titanic, to World War I taking the lives of men from all walks of life (including Daisy’s betrothed William), and ending with Sybil and Matthew passing long before their time.

Because I didn’t want this post to end on a sad note, here’s the best Dowager meme to grace the Internet:

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The Lies in HOMELAND and the Rape at DOWNTON ABBEY

Sunday night was chalk full of great television with Showtime’s Homeland returning to its prime and the UK’s Downton Abbey giving me the chills.

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First up is Homeland. While the plot still lingers around Dana, this season’s second episode created a sort of closure to the Brody family saga while Sargent Brody is off the map. Dana sneaks back into the loony house to see Leo, played by Sam Underwood, who had a brief stint on Showtime’s now-ended drama Dexter, as a serial killer much like the title character was in his youth. Anyway, Dana’s mother begins to scold her daughter when she comes home, but Morgan Saylor delivers a powerful monologue about how she has chosen life because of Leo and other declarative statements that makes Jessica Brody look at her life and look at her choices – most regrettably, her husband. Now that we know Dana is no longer suicidal, we can abandon the household and focus solely on the terrorist father, who has been absent for the first two episodes of the season.

Meanwhile, Carrie is out for blood. After being pinned as the CIA officer who had an affair with Sargent Brody and for knowing about the Langley bombing, Carrie seeks to crush the CIA from the inside-out by going straight to the media. However, Saul sends in the feds who detain her in a psychiatric correctional facility.

Peter Quinn witnesses Carrie’s trial and knows that what Saul is doing is wrong. While his character has been sketchy from his introduction last season, he has become my favorite character this season. He has to live with knowing he killed an innocent nine-year-old on his covert operation and he calls Saul out for not taking responsibility for his own mistake – Carrie.

Nazanin Boniadi joined the cast as the young, burka-wearing CIA analyst Fara Sherazi, who you may remember as Nora from How I Met Your Mother. Boniadi is terrific so far, as she takes on a group of corrupt bankers who lent money to the Iranian terrorist group responsible for the Langley Bombing. But it’s Peter Quinn who gets the last laugh, taunting one of the bankers as he exits a dinner party.

At the end of the episode, Carrie is being injected with a tranquilizer as Dana discovers her father prayer rug and assumes the position – even though she has no clue what she’s doing.

I’m looking forward to next weeks episode when we finally meet up with Brody and find out why he’s bald!

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This episode of Downton Abbey left me with a terrible taste in my mouth because of Joanne Froggatt’s heartbreaking performance – but that comes at the end.

Dozens of guests gather in Downton for a much needed house party to lift the family’s spirits. Among them is Lord Gillingham, a childhood acquaintance of Mary’s, who brings along his valet, Mr. Green, whose happy-go-lucky personality clicks with that of Anna’s, but Mr. Bates isn’t too keen on her flirtatious manner. Gillingham is played by Tom Cullen, a star of the independent film business.

Edith brings her man, publisher Michael Gregson, but her father doesn’t give him the time of day – that is, not until Gregson is able to win back a large sum of money Lord Grantham lost to the scheming Sampson in various poker games through his stay.

Meanwhile in the kitchen, Mrs. Padmore can’t keep up with the meal preparations, leading to an acute heart attack. Thankfully, Alfred, the aspiring cook he has eluded to be, is there to whip up the sauces for the lot of dinner guests.

At the same time, cousin Isabelle has fallen into a slump of depression, so the Dowager feels it her duty to occupy her time to comfort her and get her mind off her dead son, much like she feels the need to pair her granddaughter Mary up with the “glorified pirate,” Lord Gillingham.

While most of this is the wishy-washy drama we have come to love from Downton, we were all caught off guard by the violent beating scene that left the lovely Anna Bates a victim of rape by Lord Gillingham’s valet, Mr. Green. There has a great deal of backlash from the audience about the controversial scene being aired on British television, especially since the episode peaked at 9.9 million viewers. My stomach nearly flipped as the Grantham family and their servants enjoyed the vocal stylings of a famous Australian singer, drowning the screams of the Lady’s Maid.

So before you go to bed tonight, say a prayer for Anna Bates. And then, ask the Devil to take Mr. Green far, far away.

Fall Television So Far…

Now that the first few weeks of fall television are under our belts and we’ve bid adieu to Breaking Bad and Dexter (on gravely different terms…spoiler pun intended) it’s time to reflect on what’s working and what’s not working with my line up.

What’s working:

New Girl

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I’ve gone “all in” with the third season of New Girl, and the cast has never been stronger. Between Jess and Nick’s honeymoon phase, Schmidt’s juggling of CeCe and Elizabeth (played by the hilarious Emmy winner Merritt Wever), and Winston’s obscenities, the laughs keep coming. The latest episode hit home with a broad range of emotions, when Schmidt is finally caught in his double life. Both Max Greenfield and Hannah Simone change the tone of the quirky show in a tear-inducing break-up, but Merritt Wever perks us up again with her devil-may-care attitude, giving Schmidt a pie to the face. Now, he vows to split up the seemingly innocent couple, Jess and Nick. Will he succeed? Will Winston be able to take care of Ferguson the cat? So many questions!

The Mindy Project

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The OB/GYNs are back for a take two, after Fox barely renewed the show for its second season. Mindy is back with a host of guest stars like James Franco and Beth Grant. So far, the season is fast paced, well-written, and generally funny. However, the plot line of Dr. Reed being fat just isn’t working out and Mindy Kaling needs to pen in some more lines for Betsy Putch, the more naïve version of Pam Beasley.

Modern Family

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What’s there to say about Modern Family? As much as I ragged on them for winning their fourth consecutive Emmy just last month, the first few episodes of this season have reminded me why it is one of the greatest shows on television. It’s managed to stay topical, tackling the legalization of gay marriage by having Mitch and Cam get engaged – but not before a comedy of errors. Elsewhere, Gloria is convinced that Fulgencio is possessed by the Devil and Phil has found a new niche of real estate customers – divorced wives.

Parks and Recreation

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Pawnee’s Parks Department crossed the pond in the season opener of Parks and Recreation to accept Leslie’s award for women’s achievement in government. With the town still against her, Leslie learns to come to terms with her constituent’s ignorance with the help of April. Meanwhile, Tom has a new competitor in the clothing rental business: Jean-Ralphio’s father. Retta is still doing her thing (thang?) in the office, as Chris and Ann Perkins break the news to their co-workers about their pregnancy. I’m expecting big things from this season of Parks and Rec, even though Rob Lowe and Rashida Jones are slated to bow out halfway through the season.

Downton Abbey

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Over in the UK, the upstairs/downstairs drama Downton Abbey is back in full swing, but the mourning of Mister Matthew has put a damper on their lives in the past six months. Also, O’Brien skipped town in the middle of the night (little explanation here), making Anna the head Lady’s Maid for Cora. Edith is off gallivanting in London with the publisher, while Mary mourns in her room, until Carson and the Dowager pushes her to her brink and she choses life – for her and her child. I’m loving the introduction of the electric mixer in the kitchen, finally giving Daisy something she’s good at. However, when Valentine’s Day rolls around, she’s left with a fake letter from Mrs. Patmore, while Olive gets one from Alfred, but she thinks it’s from Jimmy. It’s so middle school and I love it. All the while, Thomas has had a slight change of heart, and wants to be more of a part of baby George’s and baby Sybil’s life – much like Carson was a part of Sybil, Mary, and Edith’s life. I have a feeling the first two episodes were catch-up/set-up episodes, and hopefully they keep the drama coming.

What’s not working:

Homeland

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What was going on with the Homeland premiere? I understand that Brody’s confession must have destroyed his household, but by seeing the season three premiere, you’d think Dana is our main character. And don’t get me wrong, I think Dana is a very interesting, dynamic character, played by the very talented, Morgan Saylor. We saw very little of Claire Danes freaking out, which upset me, and too much of her having sex, which also upset me. Also, I know Brody is supposed to be MIA, but at least let us know what he’s up to, right? And Saul’s wife is back? Why? That part didn’t make sense. Let’s pray that this was just a bad set-up episode and that Carrie Mathison will go ham on some terrorists.

The Middle

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Just make a Sue Heck spin-off and I’ll be happy.