My Year in Television

Granted this blog has had little use over the past 365 days, I have been busy as ever watching my favorite television series. Here is a list of my favorite shows from 2014. The order is arbitrary.

Parks & Recreation

“Moving Up” was brilliant. The Pawnee/Eagleton Unity Concert was everything a Parks fan could have wanted and more (Li’l Sebastian hologram is the “more”). I applaud Mike Schur and Co.’s decision to time jump the series for its last season into the future and I can’t wait to see how it pans out.

Homeland & The Walking Dead

The biggest comeback (sorry Lisa Kudrow) of 2014 is a toss up between Homeland and The Walking Dead. Homeland needed to start from scratch with the death of Sargent Brody (Damien Lewis) and The Walking Dead needed to terminate the Terminus plot. Thankfully, both of these dramas pulled through – in bloody fashion, I may add. Homeland’s “13 Hours in Islamabad” was one of the most viciously real hours of television ever, as the terrorist group infiltrated the United States Embassy in Pakistan, slaughtering diplomats and personnel. The season concludes tonight. On the other hand (leg), The Walking Dead’s “Strangers” gave us a taste of human flesh, as the Hunters from Terminus are revealed as cannibals. Aside from a social media screw up, which spoiled the finale for West Coast fans, it’s safe to say that The Walking Dead is back from the…dead.

Portlandia

Season Four brought us some new insanely funny characters, like the NPR Tailgaters, while giving our old favorites a new storyline, like Toni & Candice at the Portland Trailblazers’ cheerleading practices and Lance & Nina in “The Pull-Out King.”

Downton Abbey

I shamelessly watched Season Five of Downton Abbey in one sitting. Well worth it. As another series which has had a few missteps in it’s maturity, Season Five spreads the story lines amongst the upstairs/downstairs dynamic, unlike the Mary-centric Season Four. Where there’s heartache (Thomas’ transformation and Edith’s grievances), there’s joy (Daisy’s newfound education and Mary’s new haircut). By the end of the season, Julian Fellows had gone full-on “Marley and Me,” leading me to wonder the fate of the open credits for Season Six.

Halt & Catch Fire

Let me say this as clearly as possible: Halt & Catch Fire is NOT the Mad Men of 1980s. Surely it is inspired by the period drama, but it is by no means a time warp of AMC’s critically acclaimed series. This series follows the birth of the personal computer through a fictional tech firm, which decides to reverse-engineer an IBM computer. The acting from Lee Pace and Scoot McNairy is excellent, but the series’ relies on the outstanding performances from Mackenzie Davis and Kerry Bishé, who both push the boundaries on feminist television. Fingers crossed we get to dig for the Giant for another season.

Game of Thrones

What can I say about Game of Thrones that no one else has already said? Great series, great acting, great Arya Stark laugh.

Netflix: Orange is the New Black & House of Cards

Netflix hit the jackpot yet again with its two original series returning for their second seasons. With water cooler moments like OITNB’s backstory on Morello and the HoC’s jaw dropping three way, there’s no escaping these captivating series. Oh, and I think Netflix might be trying to warn us about the dangers of transportation (vans, trains, etc.). Just a thought.

Silicon Valley

The first time I watched the pilot of Silicon Valley I turned it off. Biggest mistake of my life (aggressive?). However, something compelled me to give it another go and what I found was one of the funniest comedies in years. The way Mike Judge is able to blend high-brow and low-brow comedy is truly astounding, with “Tip-to-Tip Optimization” as a leading example.

Getting On

HBO’s latest BBC transplant about an extended-care hospital turned hospice unit truly hits the funny bone. With A+ performances by Laurie Metcalfe (Roseanne), Alex Borstein (Family Guy) and Niecy Nash (Reno 911!), this comedy knows how to hold a compelling storyline and make grand use of physical comedy.

The Newsroom

Allow me to air an unpopular opinion: The Newsroom’s final season was outstanding. People who argue that they should have focused on news stories as they did in the first season are missing the key story arc to the series. Season One shows the kind of news the team wants to make. Season Two shows what happens when the news they make goes wrong. Season Three shows what happens when the kind of news the team wants to make is threatened. At the end of it all, I was happy to see these highly developed characters end on a happy note (very Sorkin-esk). Also, I applaud the costume department for Jim’s oversized Sochi 2014 shirt. Jim and Pam (The Office) can step aside, because Jim and Maggie are the real thing.

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HOUSE OF CARDS : Binge 2

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Francis Underwood makes Don Draper look like a loyal husband, Nicholas Brody a valiant marine, and Walter White an innocent schoolteacher. Claire Underwood makes Carrie Mathison look sane, Sister Jude kind, and Cercei Lannister just. House of Cards Season Two has raised the bar for television without ever being broadcasted on the seemingly outdated technology.

In this modern retelling of Shakespeare’s Macbeth, Francis Underwood, the majority whip in the House of Representatives, works with his wife to toy with the other members of government and the media to advance his political career. In Season Two, Underwood is named Vice President of the United States, a leap closer to his endgame: the Oval Office. However, with a team of budding journalists on his tail for the murder of Pennsylvania Governor candidate Peter Russo, Underwood takes, well, swift actions to wipe his slate clean.

Meanwhile, Claire Underwood, who last season built up her Clean Water Initiative to an international scale, drops the project to pursue a personal vendetta. During a CNN exclusive interview, she announces that a recently pinned general raped her in college, which leads her to push a bill for civilian oversight through the House. Her biggest obstacle? A female war veteran by the name of Jackie Sharp. Jackie is named majority whip when Francis advances to act as the Veep, but her fickle, backstabbing ways shine when she goes against Claire’s bill.

Over in civilian territory, Peter Russo’s ex-prostitute Rachel Posner is attempting to start life anew, but Underwood’s chief of staff, Doug Stamper, has developed an obsession with her. As Rachel enters into a relationship with Lisa, her friend from the church fellowship, Doug’s jealously boils and drives the two apart.

The biggest, non-death related surprise from this season involves Francis, Claire, and their Secret Service Agent Meechum, in a three-way-to-end-all-three-ways.

By the end of the season, Francis and Claire have maneuvered their way into the very office they have longed for: the Oval Office. With a swift “knock, knock” we close the season – which only took me about five days to complete. But they were a good five days.

Assuming Netflix follows the same pattern of releasing each House of Cards season in February, we’ll have to wait a full year to see what’s next for the Underwoods. Will their fate mirror the Macbeths? If so, yikes.

Top Ten Entertainment Moments of 2013

The year was 2013 and madness ensued. Here’s yet another meaningless top ten countdown, where someone will bitch about how I didn’t include HBO’s “Enlightened” being cancelled.

 10. The Rise of the Mini-Series

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To start off the countdown, I’d like to take a moment to recognize a phenomenon that has captivated audiences in 2013: the mini-series. Unlike any year before, these productions have combined the high production value of films with the periodic elements of a television show. Most notably is FX’s American Horror Story: Coven, the third installment to Ryan Murphy’s anthology series, which follows the struggle between the witches and voodoos in New Orleans. Another popular mini-series this year was BBC’s Top of the Lake, starring Mad Men’s Elisabeth Moss as a detective who uncovers the disappearance of a twelve-year-old pregnant girl. The story unfolds with strong cultural ties to the New Zealand landscape. BBC’s other masterpiece this year was Parade’s End, starring Benedict Cumberbatch as a conservative aristocrat who falls in love with a progressive suffragette. So do yourself a favor and watch a mini-series! It’ll be worth your time.

 

9. North West

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At number nine is the baby of the year – and we’re not talking about the future heir to the English throne – we’re talking about North West. On June 15th, reality star Kim Kardashian gave birth to a baby boy, who, along with boyfriend and rapper Kanye West, named North West. As a nation, we gasped, thinking of this kid’s first day of Kindergarten as a confused schoolteacher takes attendance and calls out a compass direction, rather than a name. This was also a big year for Kimye as a couple. From Kanye’s music video for “Bound 2” was parodied by James Franco and Seth Rogan, to his public fight with Jimmy Kimmel, to his record smashing CD release of Yeezus, tabloids have been stocked with juicy stories about Hollywood’s newest power couple.

 

8. Lorde releases “Pure Heroine” 

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At number eight comes a young girl from down under – New Zealand to be exact. In the midst of the Royal Baby craze, she reminded us that, “We’ll never be royal.” This girl’s name is Lorde and her album, “Pure Heroine” hit shelves September 27 to critical raves and a whopping four Grammy nominations.

 

7. Jennifer Lawrence wins Oscar, trips

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Moving on to number seven, we take a trip back to February’s Academy Awards, where America’s budding sweetheart Jennifer Lawrence took a trip of own. On her way up to the stage to accept her award for Best Actress in a Motion Picture for her role in Silver Linings Playbook, Lawrence stumbled up the steps – but still managed to make it look like a Chanel ad. The Girl on Fire has had a full year, starring in The Hunger Games: Catching Fire and the upcoming David O’Russell flick American Hustle, where another Oscar could be in store for Lawrence.

 

6. Deaths of James Gandolfini and Cory Monteith

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For number six, we take a somber moment to remember two great men gone too soon. In June, news broke that Sopranos front man James Gandolfini had died of a heart attack. Gandolfini had just wrapped up filming of a recently released film Enough Said alongside Julia Louis-Dreyfus, which has gained a lot of critical attention. Then in July, we learned the passing of Glee star Cory Monteith. The show postponed the start of their fifth season in order to properly pay tribute to Monteith’s legacy in an episode entitled “The Quarterback.” At the 2013 Emmy Awards held in September, Edie Falco and Jane Lynch paid tribute for their respective co-stars in a tearful in memoriam.

 

5. Sandra Bullock Brings The Heat and is Suspended in Gravity

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Number four on our countdown goes to Sandra Bullock, whose films this year brought audiences to tears of laughter and desolation. First, in her summer blockbuster, The Heat, Bullock stars as a ridged, by the books FBI agent from Manhattan, who is tasked to work with a Boston cop, played by Melissa McCarthy, to take down the nation’s most notorious drug dealer. Then in October, Bullock captivated audiences as Dr. Ryan Stone in Alfonso Cuaron’s Gravity. Bullock’s character goes through a range of emotions in the ultimate “stranger in a strange land” film. The only thing in the way of Bullock’s second Oscar is Cate Blanchette in Blue Jasmine, but my vote’s for the lonely astronaut.

 

4. “Rains of Castamere”

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Have you heard someone say “Spoiler Alert!” at all during the past year? If so, chances are pretty good that that someone was about to talk about Game of Throne’s “Rains of Castamere” – which comes in at number three on our countdown. In one of the bloodiest hours in the history of television, the HBO fantasy drama unexpectedly killed off a slew of protagonists, as jaws dropped around the globe. Like clockwork, fans took to the Internet to vent their concerns, leading to dozens of viral “reaction” videos to the episode’s infamous moment, now known as “The Red Wedding.” Basically, if you haven’t started watching television’s most expensive drama, you should probably make that your New Year’s Resolution.

 

3. Miley Twerks at the VMAs

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She’s still just being Miley. At number two on our countdown comes Disney star turned provocative twerk-er. In August, Miley Cyrus performed a rendition of “We Can’t Stop” and “Blurred Lines” with Robin Thicke, and proceeded to do the “Twerk Seen Round the World.” Was it a publicity stunt? Probably. Did it work? Definitely. Before the year was up, Miley had hosted SNL, performed a head-scratching rendition of “Wrecking Balls” at the AMA’s, and released a relatively successful album, Bangerz, all while sporting her now iconic short hair-do. Say what you will, but she’s just being Miley.

 

2. Breaking Bad Finale

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At number five, America said goodbye to its favorite meth cook – Walter Hartwell White. AMC wrapped up the fifth and final season of Breaking Bad on September 29th, as audiences packed auditoriums and movie theaters around the nation to view the shocking conclusion to one of the greatest television dramas of all time. To honor the show’s legacy, the Emmy’s awarded Anna Gunn with Outstanding Supporting Actress in a Drama, and the Outstanding Drama award went to the cast and crew of Breaking Bad.

 

1. Netflix Produces Original Content

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For my number one moment in entertainment for the 2013 year, I log onto my Netflix account to view their new, original content. Racking up an impressive fourteen Emmy nominations and one win, the online streaming site has become a television network in its own capacity. From reviving fan-favorite Arrested Development, to the political drama House of Cards, Netflix is doing everything right. Over the summer, Netflix added yet another outstanding show, Orange is the New Black, which has demolished all notions and prejudices America has had about female correctional facilities. At $8.99 a month, Netflix is more than just entertainment – it’s an experience.

Do you agree with my top ten? Let me know in the comment section. Be civilized, people.

Netflix Pick: ORANGE IS THE NEW BLACK

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With Netflix picking up 14 Primetime Emmy nominations on Thursday, all eyes are now on the Internet television production and streaming website – coinciding with the release of their newest episodic hit, Orange is the New Black.

The show follows Piper Chapman (Taylor Schilling), whose past relationship tangled her in a drug smuggling ring and caused her to self-surrender to an all-female correctional facility. Comprised of present day and flashback shots, this show brings a whole new meaning to a timeline dramedy.

The ensemble is propelled with former stars, like Laura Prepon (That 70’s Show) and Jason Biggs (American Pie), and introduces a bunch of new names – particularly, Uzo Aduba, a Medfield High School graduate, like myself. It’s nice to see a hometown girl make it big – especially with all the critical buzz around this show.

Jenji Kohan, the mastermind behind Weeds, is the showrunner for this innovative series that deals with the often-tabooed subject of the inner-workings of the prison system – specifically all-female correctional facilities.

The show has already been picked up for a second season, so it seems as though Piper will be sporting an orange jumpsuit for quite a bit longer.

Side note: the opening theme was written and performed by one of my favorite artists, Regina Spektor. Take a listen to “You’ve Got Time.” 

Netflix Pick: HOUSE OF CARDS

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“Give and take. Welcome to Washington.” These words, uttered by the ruthless and cunning Congressman Francis “Frank” Underwood, the anti-hero of House of Cards, perfectly sums up the  first season of the political drama.

Congressman Underwood, played by Academy Award winner Kevin Spacy (American Beauty), and his wife Claire, played by Golden Globe nominee Robin Wright (Forrest Gump), are a conniving duo that plot to take the White House by any means necessary. But, of course, they have to use discretion in D.C.

The show also follows budding journalist Zoe Barnes, played by Kate Mara (American Horror Story). Barnes begins a work-and-play relationship with the Congressman, who toys her into leaking groundbreaking stories to advance his own career and eliminate his competition.

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On a separate, but related, note, they should cast Anna Kendrick (Pitch Perfect) as Barnes twin sister, because the two are practically identical in appearance and demeanor.

One aspect I love about this show is the abundance of dark symbolism. From Frank’s rowing machine to Claire’s eye-opening encounters around the city (the homeless man giving her a paper crane made out of a $20 bill, the widow screeching at her in the cemetery, the older Starbucks employee who doesn’t know how to use the touch-screen register, Adam’s photographs of her, etc.) the cinematography is captivating and haunting.

House of Cards is a Netflix Original series, created by Beau Willmon. It is adaption of a BBC miniseries, which can also be found on the site’s “Watch Instant” feature.

Between this show, Arrested Development, and the newly buzzing Orange is the New Black, I wouldn’t be surprised to see the Netflix crew representing at this year’s Emmy Awards in September.