Granted this blog has had little use over the past 365 days, I have been busy as ever watching my favorite television series. Here is a list of my favorite shows from 2014. The order is arbitrary.
Parks & Recreation
“Moving Up” was brilliant. The Pawnee/Eagleton Unity Concert was everything a Parks fan could have wanted and more (Li’l Sebastian hologram is the “more”). I applaud Mike Schur and Co.’s decision to time jump the series for its last season into the future and I can’t wait to see how it pans out.
Homeland & The Walking Dead
The biggest comeback (sorry Lisa Kudrow) of 2014 is a toss up between Homeland and The Walking Dead. Homeland needed to start from scratch with the death of Sargent Brody (Damien Lewis) and The Walking Dead needed to terminate the Terminus plot. Thankfully, both of these dramas pulled through – in bloody fashion, I may add. Homeland’s “13 Hours in Islamabad” was one of the most viciously real hours of television ever, as the terrorist group infiltrated the United States Embassy in Pakistan, slaughtering diplomats and personnel. The season concludes tonight. On the other hand (leg), The Walking Dead’s “Strangers” gave us a taste of human flesh, as the Hunters from Terminus are revealed as cannibals. Aside from a social media screw up, which spoiled the finale for West Coast fans, it’s safe to say that The Walking Dead is back from the…dead.
Season Four brought us some new insanely funny characters, like the NPR Tailgaters, while giving our old favorites a new storyline, like Toni & Candice at the Portland Trailblazers’ cheerleading practices and Lance & Nina in “The Pull-Out King.”
I shamelessly watched Season Five of Downton Abbey in one sitting. Well worth it. As another series which has had a few missteps in it’s maturity, Season Five spreads the story lines amongst the upstairs/downstairs dynamic, unlike the Mary-centric Season Four. Where there’s heartache (Thomas’ transformation and Edith’s grievances), there’s joy (Daisy’s newfound education and Mary’s new haircut). By the end of the season, Julian Fellows had gone full-on “Marley and Me,” leading me to wonder the fate of the open credits for Season Six.
Halt & Catch Fire
Let me say this as clearly as possible: Halt & Catch Fire is NOT the Mad Men of 1980s. Surely it is inspired by the period drama, but it is by no means a time warp of AMC’s critically acclaimed series. This series follows the birth of the personal computer through a fictional tech firm, which decides to reverse-engineer an IBM computer. The acting from Lee Pace and Scoot McNairy is excellent, but the series’ relies on the outstanding performances from Mackenzie Davis and Kerry Bishé, who both push the boundaries on feminist television. Fingers crossed we get to dig for the Giant for another season.
Game of Thrones
What can I say about Game of Thrones that no one else has already said? Great series, great acting, great Arya Stark laugh.
Netflix: Orange is the New Black & House of Cards
Netflix hit the jackpot yet again with its two original series returning for their second seasons. With water cooler moments like OITNB’s backstory on Morello and the HoC’s jaw dropping three way, there’s no escaping these captivating series. Oh, and I think Netflix might be trying to warn us about the dangers of transportation (vans, trains, etc.). Just a thought.
The first time I watched the pilot of Silicon Valley I turned it off. Biggest mistake of my life (aggressive?). However, something compelled me to give it another go and what I found was one of the funniest comedies in years. The way Mike Judge is able to blend high-brow and low-brow comedy is truly astounding, with “Tip-to-Tip Optimization” as a leading example.
HBO’s latest BBC transplant about an extended-care hospital turned hospice unit truly hits the funny bone. With A+ performances by Laurie Metcalfe (Roseanne), Alex Borstein (Family Guy) and Niecy Nash (Reno 911!), this comedy knows how to hold a compelling storyline and make grand use of physical comedy.
Allow me to air an unpopular opinion: The Newsroom’s final season was outstanding. People who argue that they should have focused on news stories as they did in the first season are missing the key story arc to the series. Season One shows the kind of news the team wants to make. Season Two shows what happens when the news they make goes wrong. Season Three shows what happens when the kind of news the team wants to make is threatened. At the end of it all, I was happy to see these highly developed characters end on a happy note (very Sorkin-esk). Also, I applaud the costume department for Jim’s oversized Sochi 2014 shirt. Jim and Pam (The Office) can step aside, because Jim and Maggie are the real thing.