Why I Still Go to the Movies

In the never-ending debate between film and television, there’s no question in my mind that the third season of Lost blows any movie out of the water (pun intended). But in the Netflix era we live in, its so easy to become distracted with the rest of your life scattered around your bedroom. When you press the “Play Next” button, you realize you need to use the bathroom. You sit back down. Then you’re suddenly thirsty, so you get up and get a glass of water. You sit back down. Then an iMessage pops up on your computer screen, and of course you have to answer it right away. This turns into a ten minute conversation about when you and your friend are going to go to Chipotle. You “x” out of your chat window and notice an email from your professor. You have an assignment due in an hour. The episode of that show you really love is already halfway over, you’ve only caught a glimpse of the plot arc, none of the B story, and you feel defeated.

At the movies, you leave your life. Sure, some people bring their phones or their friends who bring their phones, but I don’t. I sit on the plush throne, popcorn in hand, and pray that nobody kicks the back of my seat. When the lights dim and the previews start, your life goes away. That big project that’s due soon washes away. That fight you’re in with your friend is muted. Everything that mattered doesn’t anymore.

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The other night, I went to go see The Skeleton Twins starring SNL veterans Bill Hader and Kristin Wiig as twins who reunite after Milo (Hader) tries to kill himself. By no right is this the full-blown comedy one would expect from this pairing, but instead it was a dark, tender look at life when it doesn’t go the way you planned. Don’t get me wrong, there are some pee-your-pants funny moments going on, especially by Luke Wilson, who plays Lance, Maggie’s (Wiig) fiancé. Go for the lip sync to “Nothing’s Gonna Stop Us Now,” stay for the unmatched dynamic of Hader and Wiig.

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Fall 2014 Network TV

There’s quite possibly too much television to talk about nowadays and sorting through it can be quite a daunting task. But, alas, I’ll try my darnedest.

CBS has never interested me as a network, probably because I’m not in their target demographic, so there’s not much for me to discuss here.

ABC has launched a campaign to diversify their lineup. SelfieBlack-ishHow to Get Away with Murder, Cristela, and mid-season replacement Fresh Off the Boat, all feature minority leads, countering the network’s Caucasian-dominated programming.

NBC, on the other hand, seems to be adding more of the same “white-centric” sitcoms, with shows like A to Z, Bad Judge, and The Mysteries of Laura. The latter two sitcoms might have too specific of a premise to survive the year (think back to other NBC flops like Save Me and The Michael J. Fox Show). Once the kings of comedy, NBC is putting all the eggs in their Saturday Night Live basket, where they are still in a sort of generational transition. With a set of powerfully comedic women, lead by Kate McKinnon and Aidy Bryant, as well as strong newcomers Michael Che and 20-year-old Pete Davidson (yes, 20…like, my age), the show premiered last weekend to mixed reviews, as Guardians of the Galaxy star and NBC family member Chris Pratt hosted alongside musical guest Ariana Grande. The best bit of the night came as Pratt poked fun at the obscurity surrounding Marvel’s blockbuster hit, and the gang mocked a some of their upcoming flicks, including Marvel’s Pam 2: Winter Pam (a play on Captain America 2: Winter Soldier). Click the picture below to see the full sketch on Hulu!

AidyBryant_Marvel_Pam-690x262Last, but not least, is Fox. And I like Fox this year. Their solid Tuesday line-up of The Mindy Project and New Girl is sure to cure your mid-week blues, not to mention the sigh of relief that came with the solidification of both of their casts. Brooklyn Nine-Nine took a move to Sunday nights, along with the network’s famed Animation Domination, which includes newly-crowned Emmy winner Bob’s Burgers. While Fox seems to know their comedy, they’ve also taken a dark turn to fill the gaps in the drama department, once championed by House, M.D. and 24 (might we see yet another return of Jack Bauer??). Gotham takes a look at the world of the Batman before the Bat-Call. The heroes and villains we have come to know and love all have their own backstories, from the Riddler to Poison Ivy, Commissioner Gordon to the Penguin. Rumor has it that the Joker will be revealed at the end of the first season, so let’s hope they make it past the mid-year cuts.

In the coming weeks, the cable networks will take control of the airwaves. This Sunday, Showtime revamps Homeland sans Damien Lewis. On Wednesday, FX takes us under the tent with American Horror Story: Freak Show. And the following Sunday, AMC hunts the hunted with the Season Five Premiere of The Walking Dead. 

FLASHBACK: STUDIO 60 ON THE SUNSET STRIP

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During my screenwriting class last semester, our professor showed us the teaser to Aaron Sorkin’s pilot for Studio 60 on the Sunset Strip and I was in awe. First of all, they introduce us to flustered production assistant, scurrying around the studio moments before the broadcast of a fictional variety show – think SNL on the West Coast…and on Fridays…and on a fictional network, NBS. Anyways, this PA turns out to be none other than my favorite actress at the moment, Merritt Wever! But back in 2006, she didn’t have her Emmy.

Anyway, the show follows veteran comedy duo Matt Albie (Matthew Perry) and Danny Tripp (Bradley Whitford) as they are called back to the variety show that helped define their careers. Matt is somewhat hesitant to return to Studio 60 because his ex, Harriett Hayes (Sarah Paulson) is now the show’s star, alongside Simon Stiles (D.L. Hughley) and Tom Jeter (Nate Corddrey).

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To complicate matters, NBS has just hired a new president, Jordan McDeere (Amanda Peet), an attractive, young, sensible woman who doesn’t have the social wits about her. Sound like another Aaron Sorkin character to you? Sloan Sabbith, anyone? And that’s not the only Sorkin staple he throws into this show. The power outage right before airtime? The same problem plagues The Newsroom staff before News Night with Will McAvoy. The show also executes Sorkin’s famous “walk and talk” scenes, as made famous in The West Wing.

The combination of writing in acting in this show is surprisingly succinct for an NBC drama, but the lack of ratings and the promising comedy 30 Rock kept Studio 60 from being renewed for a second season. In its one season, however, Sarah Paulson was nominated for a Golden Globe for Best Supporting Actress in a Drama, a well-deserved nod that put the show on the map too late in the game.

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If you’re interested in watching, you’ll have a tough time finding it online. I found the complete series at Newbury Comics for nine bucks – quite the bargain compared to my subsequent Chipotle lunch.