In a few hours, Homeland‘s fourth episode of the season will premiere on Showtime. However, the show has been receiving a lot of negative critical feedback as of late. While I understand that focusing on Dana for two whole episodes was unnecessary, the critics who wrote that the season’s third episode was painfully boring are gravely mistaken.
Writer Ross Jones of the British paper The Telegraph, had this to say:
“If nothing else, this season of Homeland will be remembered as a highly effective piece of immersive television. The two lead characters, Brody (Damien Lewis) and Carrie (Claire Danes), are now stuck staring at the same scenery with no obvious way out, devoid of hope and anaesthetised against their will – feelings all too familiar to anybody who made it through this episode.” (full article)
He hit all the points of why this episode, entitled “Tower of David,” is a masterpiece, only to rip it to shreds and write it off as boring.
I equate this episode to Breaking Bad‘s episode entitled “The Fly,” in which Walter attempts to kill a fly in his meth lab to ensure the purity of the product. Both episodes showcase a snapshot of the main characters’ lives, which so happens to be a low point for all of the characters in both shows. Even though Brody and Carrie don’t interact in this episode, we feel their bond become stronger and stronger as they both descend towards their rock bottom. Similarly, the character study in “The Fly” teaches Jesse the value of purity and we get a glimpse at Walter’s blooming obsession (almost addiction) with meth – something confirmed in the final moments of the series.
Critics, however, loved what Vince Gilligan and the team did in “The Fly.” Time‘s writer James Poniewozik compared this episode to an episode of The Sopranos:
“After I watched the screener of “The Fly,” I tweeted that the episode was like “Breaking Bad’s ‘Pine Barrens,’ plus.” The “Pine Barrens” comparison, while a little facile, meant this: like The Sopranos’ classic, this was a set piece involving two characters in isolation, on a quest/hunt together. It was, first, incredibly well-directed for maximum tension. And the object of the hunt, like it was for Paulie and Christopher with The Russian, was not just important in itself but as a device to bring them into extremis and place their relationship under stress.” (full article)
So, by transitive property, “Tower of David” is Homeland‘s “Pine Barrens,” right?